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Threelakes / Phill Reynolds SPLIT

by Threelakes / Phill Reynolds

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1.
I should leave the pain just behind of my years, my sixteens, damned time. I want stay one more day not digging’ out memories of that age. Somebody dies, somebody does not. Somebody is waiting to write one more song. I lost the count of the people around. The past is just past you’re living right now. Somebody dies, somebody does not. Somebody is waiting to get a little old.
2.
I slept to times in the sand but I don’t know why I got there. I searched my clothes to get away but the rain blots out my brain. You should leave, I should stay. If I’ll find the key I can stay. Far enough from the end where the sky washed out my tent. I watched some guys fall apart where the black crowds throw black darts. You should leave, I should stay. If I’ll dream again I can stay. I tell you man you were right but so far away from being a knight. Your armor shines like a lie, your sword lost steel at your side. You should leave, I should stay. If I’ll find the sword I can stay. You should leave, I should stay. If I’ll find the key I can stay. You should leave, I should stay. If I’ll dream again I can stay.
3.
We drove springs and falls Winter comes and takes our souls We ride rain and snow Summer calls back this cold Warm breeze dries my bones Rain feeds my dry toes Storm paints my grey songs Snow saves my hot throat Thunder shakes my still road Light freezes this shaking world Blue sun in a red pyre Moon pray for my desire Sour lakes and big black swans Oh man what we have done
4.
We met yesterday at the show the only thing we shared was "hello" a few meters became continents oh it's a shame, we're not ok Our bodies used to reach stunning peaks our souls were too shy to confess we were about to feel so good i guess but scared about Love i just preserved my solitude and so did you Sex and feelings can match so clean sometimes they hit and hurt and make you mean i still don't know what happened though i just keep singing those strangers whose faces i know Maybe one day we will laugh so bad tonight the rain says it's a drag i'll walk my way while you will walk away maybe one day, we'll be ok
5.
Hey joy, sail on my seas and connect, joy the islands of my discontent, joy blow a smooth breeze on my banks, joy strip off this clothing from my cliffs give me proper streams to sink my mistakes in the abyss let me flow into teach me how to exploit your tides hey joy, stay here by my side give me teeth and lips to build a smile give me more because and please no more why give me a six­pack laughs and someone to embrace and a brand new past and a brand new face a braid of poise and a pint of trust you must drive me, joy, to remove the dust from my days my glance my bays my banks get closer joy, please grab my hands and don't leave them till it will be me to grab yours, to grab your own hands
6.
Short hair blue pinafore, long hair pink pinafore, guns vs dolls the line was drawn while we still were light­bearers, bound to fall in that fragile age, in that world of wonder and games with no end you little boy are in the dark about the pride, the plot, the part: to act, react and subject as a man The role grows with you, breaks through without a clue, sets in, claims, rules within it's the taste of first! in a Hot Wheels race the feast of violence of a wrestling ace the tanks of tin you quote the grown­ups but your questions crumble upon the growls of those World Cup fans they intimate, you imitate, support the match, learn the hate they're so proud when you do the man Then comes the Cross to nail your body and dull your soul the first wet dream, that dirt, the sin, that dizzy fault the doubts of lust, small heart that hurts the fences and the glances you don't plan the lack of trust, the classmates jokes ­show your muscles fag, sissy jerk are you a man? You grow up. Now your sex is a tool to aim where the weak sex browse you're not aware that the masters' tools will never dismantle the masters' house in fact, you're already inside it, where sex is sexism and the White Male commands and so on, all your life, forcing yourself and your wife, your children but for God Country and Family, you're a That night in each other's arms, our bodies and souls about to shine she felt my hands, on her skin to please, as they weren't mine i became the salt on her ancient scars opened again we lived the tragedy of God­blessed centuries of cruel supremacy of Men Am i a man? What is a man? man!

credits

released January 17, 2015

Threelakes
Burrow, Two Deserts e Four Season Blues - registrate The Guitar Room Studio, ottobre 2014, Mantova.
Voci e strumenti: Luca Righi

Phill Reynolds
Twosday - registrata e mixata da Brian Esselbrugge, giugno 2014, Utrecht.
Cori di Kim Janssen, cello suonato da Daan Spanjaardt
Hey Joy - registrata e mixata al TUP Studio da Brown Barcella, agosto 2013, Brescia.
Cori di Francesca Morello aka RYF.

L’intero album è stato masterizzato da Maurizio Baggio all’Hate Studio di Rosà (Vi).

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